Quilter Labs and Neunaber Audio have come together to offer up the best of analog power circuit and digital signal processing musical technology. This union will result in:
Wider Domestic and Worldwide Distribution of Neunaber Products
Expanded Product Development Capabilities
Standardized Logistics and Supply Chain
Enhanced Support System
In a statement, Brian Neunaber said, “I started Neunaber Audio to design products that I am truly passionate about, but ultimately, operating a business didn’t leave much time for that. By partnering with Quilter Labs, I can return to what I love doing and enable new opportunities for my team. I’ve known Pat and Chris for many years, and I feel that we have similar sensibilities in our approaches to design, marketing and management. When I decided to find someone to assume operations of Neunaber Audio so that I could return to full-time product development, Quilter Labs was top of mind. Fortunately, they were also looking for someone like me to expand their design team.”
Following up, Pat Quilter remarked, “As many thousands of happy Quilter Labs customers know, in retirement I have returned to my original passion of making high energy guitar and bass amps. My long career designing power amps at QSC Audio, which evolved from our guitar amp beginnings, have left me with a deep toolbox of analog power technology. More importantly, I have access to the vintage amps whose tone we all know and love, and I know how to unleash the same warmth and dynamics using modern lightweight circuitry. I am familiar with Brian Neunaber’s work, both at QSC and in his own company, and I look forward to combining our skill sets to bring together the best of both worlds – analog warmth and digital versatility – in easy-to-operate devices that fulfill our mission to Make Music Better.”
About Pat Quilter and Quilter Labs:
After decades of developing top-line QSC products, Pat had become a world-class designer of compact, high-power amplifiers. The final years of Pat’s QSC career saw his mastery of Class-D technology, the third wave of power technology that would replace traditional solid state, just as solid-state had replaced tube amps, except in the guitar field where tube amps continued to be respected as having the best and most natural tonal properties. Having built tube amps, Pat was well aware of the properties that they brought to the game. As a veteran of analog design, he could see what it would take to duplicate the behavior of tubes, but using modern, high efficiency, lightweight technology to design an amp that would serve the needs of musicians better than anything else on the market.
About Brian Neunaber and Neunaber Audio:
Coming from an engineering background, Brian Neunaber—the company’s founder—has grounded their mission in modern, highly technical excellence. Their products are the result of research, development, and intentional sonic engineering. They pursue sonic perfection, even at the cost of breaking industry norms. Their products deliver practical and intriguing sounds to a diverse range of musicians—from those whose desire is to effortlessly plug-in and play to those who need a more versatile platform to sculpt their ultimate tone. They believe that making great products is the best marketing strategy, and they rely on happy customers to spread the word.
– Sweetwater, the country’s leading eCommerce provider of music instruments and pro audio gear, today announcedphilanthropicdonations ofover $750,000 to more than 200 organizations this year. In addition to monetary donations, Sweetwater has also donated more than $60,000 worth of instruments and audio gear to an additional 200+ schools, music programs, and other groups, enabling students from all over the country to explore music and participate in music programs.
Sweetwater partners with local, regional, and national organizations to have a far-reaching impact, with a particular focus on music and arts education, exploration, and enrichment.
“We’re honored to be able to give back to the communities that have contributed to our success, from inspiring a love for music in children, to supporting the local Fort Wayne community,” said Sweetwater CEO John Hopkins. “Our goal is to help musicians make their musical dreams come true and to help foster the next generation’s passion for making music.”
Sweetwater has long-standing partnerships with music and arts organizations like Music Will (formerly Little Kids Rock), Beats by Girlz, Women’s Audio Mission, We Are All Music, Arts United, Believe in a Dream, Fort Wayne Philharmonic, Unity Performing Arts Foundation, Embassy Theatre, FWCS Foundation’s b Instrumental program, Make Music Alliance, Power2Inspire, Save the Music Foundation, and TI:ME (Technology in Music Education.)
“Sweetwater’s support has transformed the ways in which we interact with our students and allowed us to supplement our instruction with relevant hands-on activities using professional tools,” said TI:ME Executive Director Mike Lawson.
Sweetwater also supports numerous non-profit agencies that focus on youth development and meeting the needs of underserved populations like Big Brothers Big Sisters of Northeast Indiana, Boys & Girls Clubs of Fort Wayne, Bridge of Grace, Easterseals Arc, Fort Wayne Commission for African American Males, Fort Wayne Rescue Mission, Habitat for Humanity, Junior Achievement, and more. For further information, visit Sweetwater.com.
the Gibson Acoustic team in Bozeman, MT. Gibson Acoustic Craftory Expansion Celebration photos (credit Gibson)
Gibson is the leading, iconic, handcrafted, American-made guitar brand that has shaped the sounds of generations of musicians and music lovers, across genres for over 128 years. Founded in 1894 and headquartered in Nashville, with a premier acoustic craftory in Bozeman, Montana, Gibson continues a legacy of world-class artisanship, legendary music partnerships, and progressive product innovations that are unrivaled among musical instrument companies. Gibson has been in major investment expansion mode and prioritizing the acoustic facility and its skilled artisans in Bozeman who create our world-renowned acoustic guitar collections. For more than a century, Gibson acoustics have been played by the most talented and influential music artists who continue to shape sound through modern music.
In Bozeman, Montana, Gibson carries on a tradition of acoustic instruments that dates back to the 1890’s. The world has changed, but this art has stayed much the same: Gibson acoustic guitars deliver a clear, rich sound from carefully chosen tonewoods crafted to improve with age and fit each dovetail neck joint by hand. While production of Gibson Acoustics started in Kalamazoo, MI and moved to Nashville, TN for a period, Bozeman was identified as an ideal location for the new acoustic facility after Gibson purchased the Montana-based Flatiron Mandolin company in 1987. The relatively stable and dry climate in Bozeman is advantageous in building acoustic guitars, which can be greatly affected by swings in temperature and humidity. The early days in Montana marked the rebirth of Gibson’s flat-top guitars in the eyes and ears of artist, dealers, and fans.
To meet the booming demand for guitars, Gibson invested in construction to double the size of the acoustic craftory. With more machine shop and manufacturing space, expanded Gibson Acoustic Custom Shop capabilities, and a new artist showroom, the modernized facility enables Gibson to increase production of its world renowned acoustic guitar models (J-45, Hummingbird, Dove, SJ-200, and more) and expand innovative offerings such as the new Gibson Generation Collection, without compromising on conditions of quality.
“Gibson acoustic guitars have earned their iconic status over many generations and across many genres of music,” says James ‘JC’ Curleigh (President and CEO of Gibson Brands). “This iconic status has turned into exceptional demand over the past few years. We recognized that we had an opportunity and an obligation to find a way to make more guitars by expanding the legendary Gibson Acoustic Craftory right here in Bozeman, Montana. We are proud of the expansion and excited for the future.”
Last week, Gibson opened the doors of its world-renowned acoustic guitar facility in Bozeman to celebrate the completion of a factory expansion which doubled the size of the facility which was originally built in 1988. Gibson global leadership andthe local Gibson Bozeman teams were on hand with local Montana business leaders and ambassadors, and our skilled artisans who create our world-renowned acoustic guitar collections to view the new craftory. Gibson is a preferred employer globally and with the massive expansion will be adding up to 100+ job opportunities and recruiting top talent on the local and national level. Gibson Acoustic in Bozeman currently employs 230 people.
Following are photos from the Gibson Acoustic expansion celebration in Bozeman, MT, and a glimpse inside the craftory:
Above: the Gibson team cut the ribbon to open the newly expanded Gibson Acoustic factory in Bozeman.
Gibson Bozeman team. Above: (L-R, back row) Richard Walbe (Training Coordinator), Adam Dieckman (Materials Manager), Tiffaney Loomis (Shipping Manager), Colin Beck (Engineering Manager), Patrick Hansen (QC Manager), Nick Codding (Production Manager) and (L-R, front row) Margaret Hawthorne (Human Resource Business Partner), Josh Taborski (Facility Director), and Jackie O’Reilly (Controller).
Above (L-R): Anne Rohosy (Chief Human Resources and Impact Officer, Gibson Brands), James “JC” Curleigh (President and CEO, Gibson Brands) and Jeremy Freckleton (Chief Production Officer, Gibson Brands).
Gibson leadership and Montana Ambassadors Association. Above: (back row L-R) Anne Rohosy (Chief Human Resources and Impact Officer, Gibson Brands), and Montana Ambassadors Brian Arthur, Tyler Delaney, and James Thompson, James “JC” Curleigh (President and CEO, Gibson Brands) and Jeremy Freckleton (Chief Production Officer, Gibson Brands), (front row L-R) Montana Ambassadors Jami Lorenz, Suzi Berget White, and Angela Mcgrath.
Above: (L-R) Thad Beaty (Sugarland), Gibson ambassador Amanda Stewart, and Annie Clements (Maren Morris) performed for guests during the Gibson expansion grand opening.
Above: Gibson acoustic guitars in the binding process.
Above: A Gibson SJ-200 in Rosewood Burst makes its way through final set up.
Above: a Gibson SJ-200 receives a Rosewood Burst finish.
Above: Gibson Acoustic factory finishing area.
Above: an artisan neck fits a J-45 Deluxe Rosewood.
In addition to being a talented guitarist, Jeff’s M.I. industry career spanned more than 30 years with roles in product development, sound design, product management, and more.
Jeff Slingluff passed on September 9, 2022, following complications from COVID-19 at the age of 55. As the BOSS strategic product manager for the U.S., Jeff was extensively involved in product content and tradeshow booth design, dealer training and support, and video content. His depth of knowledge and willingness to share his genuine excitement for gear, both new and classic, made him an industry favorite for content and interviews.
When Jeff joined BOSS in 2016, BOSS engineers quickly integrated him into the product development process, involving him in new product ideas, conceptual designs, visual and user interface design, and sound design. His unique philosophy in how to craft a product’s look and feel, combined with a friendly, intuitive user interface, contributed to the success of BOSS products ranging from the award-winning Katana and Nextone Amplifier series to the highly acclaimed WAZA-TAE Tube Amp Expander and RE-202 Space Echo.
“I loved Jeff’s smile, positive attitude, and way of thinking. I loved to talk to him—he was always optimistic. Conversations with Jeff gave me lots of inspiration and hints for new product ideas. He supported and helped me and BOSS so much over the last six years,” offered Yoshi Ikegami, BOSS president from 2002 to 2022.
Jeff was a graduate of the Musicians Institute, and before joining BOSS, he lent his talents and vision to Alesis, Line 6, and Sound Machine LLC. Through his work on products like the POD Series, DL4 Delay Modeler, and a vast library of algorithms and models, Jeff honed the tones that became the foundation for gold and platinum-selling albums, world stadium tours, and countless home productions. Working shoulder-to-shoulder with Line 6’s engineers, Jeff helped pioneer, evolve, and refine the techniques of modeling that have become the foundation of many modern guitar amplifiers, effects processors, and plug-ins. Jeff’s sound design talents were also used in multiple plug-ins for Universal Audio, as well as the first digital pedals for Dunlop Manufacturing and its MXR brand.
As a family man, musician, guitarist, sound engineer, gear tinkerer, and animal lover, Jeff had many passions. He was exceedingly accepting, loving, and kind, and he embraced everyone for who they were without judgement. Jeff was also a great listener, no matter the person or situation. He made people feel heard, he made people feel valued, and his door was always open. In a world filled with challenges, Jeff had a heart full of joy.
Jeff is survived by Jean Shen, his partner of more than 15 years, and his children Amanda (28) and Koda (23).
The teams at Roland and BOSS send heartfelt condolences to Jeff’s family, friends, and colleagues around the world.
Above: Kloxxado® (Naloxone HCl) Nasal Spray 8 mg from Hikma.
Gibson Gives:
Announces 16,000 Dose Commitment of Kloxxado® 8mg Naloxone from Hikma Pharmaceuticals
Donation Valued at $1 Million for TEMPO–Powered By Kloxxado® Outreach Program
Gibson Gives’ TEMPO Program
Saves Lives From Opioid Overdoses By
Training and Empowering Musicians to Prevent Overdose
Last year, Gibson Gives–the purpose-driven charitable arm of the iconic American instrument brand Gibson—launched TEMPO–Training and Empowering Musicians to Prevent Overdose. The TEMPO program works with non-profits to provide both life-saving training for using the drug Naloxone (Kloxxado® Narcan), which is used to prevent opioid overdoses, and offer a support network for recovery from opioid addiction. Through TEMPO, Gibson Gives is training musicians, crew members, music industry professionals, and non-profits on how to properly administer Kloxxado®giving them the ability to reverse opioid overdoses and save lives.
Gibson Gives’ TEMPO program is proud to announce a generous commitment of 16,000 doses of Kloxxado®(Naloxone HCl) Nasal Spray 8 mg from Hikma. The three-year commitment titled TEMPO, Powered by Kloxxado®isvalued at $1 Million, marking the largest single donation to Gibson Gives and its TEMPO program, so far.
Kloxxado® by Hikma contains a higher dose of 8 mg of Naloxone per spray–double the dose per spray of Narcan®(Naloxone HCl) Nasal Spray 4 mg. With increasingly stronger amounts of illicitly manufactured fentanyl being discovered in substances including cocaine, heroin, methamphetamines, and counterfeit pills (CDC, Drug Overdose – Other Drugs), 78% of opioid overdose reversals now involve at least 2 doses of Naloxone(DEA, One Pill Can Kill).
“We are beyond grateful to Hikma for their recent donation of Kloxxado® to TEMPO,” says Erica Krusen, Senior Director of Cultural Influence at Gibson Brands. “Opiate overdoses persist as a major public health problem, contributing to over 100,000 U.S. deaths just last year (CDC, Drug Overdose Deaths in the U.S. Top 100,000 annually). These deaths are preventable through the timely administration of Naloxone–a safe, effective, and easy to administer medication that reverses opioid overdoses and helps save lives.”
MusiCares–which provides a safety net of critical health and welfare services to the music community in Mental Health and Addiction Recovery Services, Health Services, and Human Services–will be the first TEMPO partner to launch in the artist area during this weekend’s Pilgrimage Music & Culture Festival in Franklin, TN. Pilgrimage Festival will mark TEMPO’s first distribution of and training sessions for Kloxxado® via MusiCares whose mission is to serve musicians and the music industry.
Gibson Gives and TEMPO will be producing training videos and distribute Kloxxado® to University Music Departments across the United States, and produce artist-driven Public Service Announcements. The timing of this life-saving overdose reversal drug comes as musicians are touring again, and in-person concerts and festivals are at an all-time high after post-COVID shutdowns. Lethal overdoses from opioid and fentanyl are on the rise globally, and have reached an all-time high in the U.S.; with public warnings being issued regularly about fentanyl-laced products, awareness has never been more critical.
ACT Entertainment, an industry-leading manufacturer and distributor of live performance equipment, has acquired Ultimate Support Systems, the top manufacturer of unique support solutions widely used throughout the music and live performance industries. The official announcement was made in Windsor, Colorado at the home office of Ultimate Support Systems, on September 15.
“We are very excited to add the Ultimate Support Systems product line and their team to the ACT Entertainment family,” says Ben Saltzman, CEO of ACT Entertainment. “Like ACT, Ultimate has a passion for innovation at its core. The ability to design, develop and engineer state-of-the-art products while providing value and quality is unique in the category. The more I got to know Mike and the amazing team at Ultimate, the more excited I became at the opportunity to work together.”
By purchasing Ultimate Support Systems, ACT now provides yet another of the industry’s most respected brands and products to all the end markets it serves. With the ACT team now behind the brand, Ultimate will continue to grow its product line and create quality support solutions for performers and technicians.
Fender Musical Instruments Corporation (FMIC) today announced the appointment of Aarash Darroodi as the new President of Fender Play Foundation (FPF), the brand’s 501(c)(3) public charitable organization. Darroodi succeeds Co-Presidents Evan Jones, CMO and Ed Magee, EVP Operations who have moved to new roles on FPF’s Board of Directors. Effective immediately, Darroodi will be supporting the organization in its mission to expand access to music education, putting instruments into the hands of students and empowering self-expression using the power of music.
“We are fortunate to have worked alongside Aarash for many years, most notably as we developed the Fender Play Foundation,” said Evan Jones, CMO and Ed Magee, Fender EVP of Operations. “We are thrilled to see him take his personal commitment into the role as president to further our mission to equip, educate and inspire the next generation. A seasoned leader across the FMIC organization and legal industry, Darroodi’s extensive knowledge, deep understanding of the Foundation and vast cultural expertise will provide invaluable support to make music education accessible to all.”
In his current role as Executive Vice President and General Counsel, Darroodi is responsible for all global legal matters across FMIC – whose portfolio of owned and licensed brands includes Fender®, Squier®, Gretsch®, Jackson®, EVH®, Charvel®, Bigsby® and PreSonus® – including mergers and acquisitions, compliance, litigation, intellectual property, corporate governance, advocacy and risk management. In addition, Darroodi serves as an officer on the Board of Directors for FMIC.
“I’m honored to step into the role as President of the Fender Play Foundation and continue the great work that was started by its incredibly dedicated team,” said Darroodi. “Music is a universal language that empowers creativity, community-building, and self-expression and through the Fender Play Foundation, we aim to place instruments in the hands of youth who aspire to become the next generation of influential artists. We are committed more than ever to building upon our original mission and expanding the program so that thousands of new students – across Los Angeles and beyond – can experience the joy of music.”
The centerpiece of Fender Play Foundation is its music education partnership within two key programs with Los Angeles Unified School District (LAUSD), the 2nd largest school district in the US. The virtual middle school music enrichment program provides equipment donations, a teacher-led curriculum with access to the Fender Play® app and artist experiences. The elementary school ukulele program, supported and championed by Billie Eilish and her brother, FINNEAS, provides instruments and weekly in-school music instruction at 10 schools in Highland Park with the goal of creating a robust 3rd – 8th grade music pathway for nearly 2,500 students over the next 3 years. Fender Play Foundation launched in Los Angeles in 2019 and has since placed instruments and Fender Play® app subscriptions in the hands of more than 10,000 students, donating over $1 million in resources and equipment. The goal is to give more than 35,000 students the opportunity to learn a new instrument by the end of 2025.
Sweetwater, the world’s leading music technology and instrument retailer, today announcedthe launch of The Sweetwater Gear Exchange. It creates a new opportunity for musicians to get the equipment and instruments they need to make music by buying and selling gently used gear in a safe and cost effective way through a trusted partner. Through Gear Exchange, there are currently zero seller fees incurred when the seller chooses a Sweetwater gift card as the form of payment.
Since 1979, Sweetwater’s mission has been to provide the best shopping experience possible for customers. That single focus continues to drive every aspect of the company’s operation and is the key to its ongoing success. By understanding and keeping a pulse on what customers want, The Gear Exchange further exemplifies Sweetwater’s ability to provide them with a top-notch experience. Gear Exchange sellers have the opportunity to create their own customized storefront, including setting a store address, outlining policies for returns, and adding a bio to let people learn more about them. Sellers can create listings that include photos of the instruments and gear they no longer need or want.
“Being avid music makers ourselves, we know how real the connection can be between the musician and their gear. It goes beyond just being an instrument and becomes an extension of the artist. Whether it’s someone’s first guitar or an old recording interface, every piece of gear has a story. The Gear Exchange provides music makers and gearheads the opportunity to find a common place to buy and sell items, sharing the remarkable stories behind each unique piece,” said David Stewart, Chief Marketing Officer at Sweetwater. “We are excited to provide a new forum for artists to find the perfect equipment to make the music they love.”
To maintain safety, Gear Exchange has implemented tight fraud prevention measures including requiring photos of the exact item listed. There will be badges available on the storefront pages showcasing how long Gear Exchange sellers have been verified Sweetwater customers. Additionally, there will be a full team of administrators monitoring the marketplace for any potential security risks.
Shipping labels for sellers can be purchased directly through The Gear Exchange, utilizing Sweetwater’s great rates. The cost of the labels can be subtracted from the payout so sellers don’t have to pay shipping bills until they get paid.
Shane Nicholas, one of the industry’s most well-regarded and beloved amplifier experts, has retired from Fender after 25 years with the company.
Originally from eastern Pennsylvania, Nicholas worked in sales at Dave Phillips Music in Allentown for more than 10 years prior to joining Fender in 1997. With nearly half a century of guitar-playing experience, Nicholas is known for his intricate knowledge of amplifiers and flawless execution on guitar, as well as his passionate on-stage performances. He quickly realized that amplifiers are just as important as guitars for creating a good tone while playing. He took this mindset and went on a journey to play every single one he could find and learned what made each of them tick.
During his 25 years with Fender, Nicholas held multiple roles, including Amplifier Product Specialist, Manager of Product Education, and various Product Manager, Marketing Manager, and Director roles. He played an invaluable part in Fender’s global project to become leaders in the amplifier space. Both former and current employees acknowledge Nicholas for his knowledge, dedication and leadership and feel privileged to have worked alongside him and the incredible legacy he leaves at Fender.
“Shane Nicholas is an institution – both in Fender history and the guitar industry as a whole,” said Justin Norvell, Executive Vice President of Fender Products. “Over the span of his two-decade career at Fender, he not only applied his golden ears and vast vintage knowledge to our storied tube amps, but he also played an integral role in ushering in our first forays and subsequent innovations in the digital amplifier space. Not to mention, he’s an amazing player! He will always and forever be in the Fender family.”
Fender Musical Instruments Corporation (FMIC), the world’s leading musical instrument manufacturer, marketer and distributor, today announced the appointment of two industry veterans to its Board of Directors: Amani Duncan and Maria Fernandez, beginning May 2022. The appointments come during record-breaking growth in guitar-playing history. With more than 16 million people in the U.S. picking up guitar during the pandemic*, the rise of home studios and a flurry of digital-led performances and lessons taking place across social media, FMIC continues to provide players with the tools needed to succeed, living up to its mission to support artists at every stage of their musical journey.
“Over the past year, Fender has inspired a resurgence of people passionate about music, and we are proud of the incredible growth the brand has achieved,” said Mark Fukunaga, chairman of Fender Musical Instruments Corporation. “I am excited for Amani and Maria to join the FMIC Board, who both have a solid foundation of experience in the music industry in various roles. Their extensive knowledge and passion for music will be invaluable in guiding the brand.”
“We are very fortunate to have Amani and Maria join FMIC’s board at this time and the entire management team is looking forward to benefiting from their exceptional leadership experience,” said Andy Mooney, CEO Fender Musical Instruments Corp. “The current generation of guitar players enjoy a broader spectrum of music than ever. Amani and Maria’s experience in two of today’s most important musical genres coupled with their unique professional perspectives will prove invaluable in terms of executing our ambitious growth plans.”
A Los Angeles native, Amani’s childhood was surrounded by musical influences starting at an early age with her father being a guitar player himself. Her upbringing was rooted in the belief of self-empowerment and the courage and optimism to achieve any dream. These foundational elements paved the way for her highly respected career within the music industry, leading marketing and promotions at Def Jam Records, Island Def Jam, Virgin Records and Capitol Music Group. In 2008, she was recruited to Sean Combs Enterprises/Bad Boy Entertainment as CMO, providing her an opportunity to manage all aspects of Sean Combs’ growing business. Amani modeled business discipline with ventures in several different sectors including spirits, fragrance, film/TV and philanthropy. From 2011 to 2017, she served as Head of Brand Marketing for C.F. Martin Guitar, reviving an almost 200-year-old brand back into the cultural marketplace by fostering new relationships with Ace Hotels, Levi’s Strauss & Co., Stetson, Surfer Magazine and Ed Sheeran, who was an emerging artist at the time. These endeavors, along with the development of a new mid-priced product, helped position the company for growth. Thereafter, Amani joined MTV as the Head of Music with the goal of strengthening the brand’s connection with artists and focusing more heavily on the VMAs to showcase talent. Currently, she oversees BBH USA, an advertising agency that is part of Publicis Groupe, as CEO leading creative marketing efforts on behalf of top tier clients including Google, Heineken, Samsung USA, Barbie and Netflix. Amani serves on the BBH Global board and is also leading an inclusivity race for women in the workforce and racial diversity spearheading internal initiatives, including DEI, helping the agency become 64% female and reach 50% diversity in race. Amani joins the FMIC board with a wealth of creative and business expertise across many industries including music and media.
“From my time at Def Jam, Martin Guitar, MTV and my current position at creative agency BBH USA, music has been a constant presence and a cornerstone in my professional work and personal life,” said Amani Duncan, CEO of BBH USA. “I have always been a huge fan of Fender guitars, and it is such an honor to join the illustrious board of this iconic brand.”
Born and raised in Venezuela, Maria’s upbringing was rooted in musical culture. She is an accomplished music industry professional with an expertise in finance, operations and P&L orientation. Prior to her college graduation in Caracas, she began her career with The Walt Disney Company, where she started as a Financial Analyst. In 2004, she joined the DirecTV team followed by Probiz, a consulting agency through which she served as the Finance lead for a start-up voice over IP company. After three years with the company she moved onto Sony Music Entertainment (SME) where she has been on an accelerated growth path in progressively senior level roles, achieving five promotions in the past fifteen years. Today she serves as EVP of Operations and COO where she works closely with the CEO to create and implement strategic planning, focusing on the Latin Iberia region, which is a key driver for the company with revenues in the triple digits. In addition, Fernandez works closely with their roster of artists leading deal negotiations on behalf of the company, oversees SME’s analytics initiatives on a regional and global level and handles mergers and acquisitions in the region. At SME Maria is dedicated to ensuring others have the opportunity to chase their dreams as well as fostering diverse teams that encompass both gender and race. Maria joins the FMIC board as a fierce female leader encouraging women to speak up and start the conversation because it’s the only path forward.
“I am very grateful for the opportunity to join the board of FMIC, a company with a rich history, a culture of innovation and a service mindset,” said Maria Fernandez, EVP, COO Latin Iberia at Sony Music Entertainment (SME) “Growing up in Venezuela, I would have never dreamt of one day joining such a recognized company and it will be a privilege to work with their fantastic team. As someone who has always worked to support women, it is especially gratifying to be joining the board with an executive of Amani’s caliber.”
Founded in 1946, Fender has created guitars, amps, pedals and accessories for players around the world and their innovative musical equipment has been played on more stages than any other company in the industry. Through their portfolio of brands, FMIC is dedicated to unlocking the power of musical expression for all artists and players alike, from beginners and students to history-making legends. Championing artists has been at the foundation of FMIC’s endeavors, an ethos that is an echo of Founder Leo Fender’s famous mantra: “Artists are Angel’s, it’s our job to give them wings to fly.”
For over 75 years, the brand’s mission has been one hundred percent committed to serving players at every stage of their musical journey by creating and delivering best-in-class instruments that help artists and players move their craft forward and keep guitar relevant in music culture. In 2015, FMIC introduced its digital arm, and two years later, it launched Fender Play, which unlocked the power of musical expression for all players, providing fun and invigorating guitar lessons available conveniently at their fingertips. In late 2021, FMIC entered a merger with PreSonus Audio Electronics, a leading design manufacturer of recording and licec-sound hardware and software solutions that solve real-world problems for working creatives. Together, their passion for music and commitment to innovation will help equip and inspire current and future generations of artists.
With the additions of Amani and Maria to its Board of Directors, FMIC is very optimistic about the future ahead. Executive bios and headshots are both available here.
For additional information on new Fender products and to find a retail partner near you, visit www.fender.com. Join the conversation on social media by following @Fender.
*In 2021, FMIC released the results of a study, “Fender’s New Guitar Player Landscape Analysis,” commissioned alongside YouGov®, which revealed that an incredible 7% of the U.S. population ages 13-64 (approx. 16 million people) started to learn guitar in the last two years. View the full results of the survey here.
